|
Role |
Songs |
Dancing |
|
|
|
|
|
|
|
|
|
Reno Sweeny - A sexy and charismatic
nightclub singer and |
You’re The Top |
Some |
|
former evangelist”. Keeps her age to herself but is at least
30 and |
Friendship |
|
|
could be as old as 55ish (but- Vavoom!). For some unknown |
I Get A Kick Out of You |
|
|
reason Reno has forsaken what was once her calling of |
Anything Goes |
|
|
evangelism, and has become a very successful nightclub |
Blow Gabriel Blow |
|
|
headliner. Reno is confident, clever, philosophical, funny, |
Lets Misbehave |
|
|
persuasive, and extremely comfortable with herself
physically and |
Take me back to Manhattan |
|
|
in every other way. She is practical and makes a good show |
Some chorus numbers |
|
|
of keeping it all together while romantic and tenderhearted |
|
|
|
underneath all her bravado. Reno is a consummate performer |
|
|
|
and a real showstopper. Must have comedic timing and be able |
|
|
|
to command the stage. In the beginning (and maybe forever –
at |
|
|
|
least a little) she is in love with Billy. |
|
|
|
|
|
|
|
|
|
|
|
Billy J. Crocker - Elisha Whitney's kind
but inefficient general |
You’re The Top |
Yes |
|
manager who is in love with Hope. Must be charismatic and |
Easy To Love |
|
|
MUST have comedic timing and considerable charm. Enough to |
It’s Delovely |
|
|
win the heart of a steady girl engaged to a good man, and to
have |
All Through The Night |
|
|
stolen the experienced heart and garnered the lavish
attentions of |
Some chorus numbers |
|
|
Reno. Must be very confident physically, and willing to be
put in |
|
|
|
silly situations. Must be able to move quickly. Idealistic. |
|
|
|
|
|
|
|
|
|
|
|
Hope Harcourt - A wealthy and beautiful
heiress. Hope is sailing |
It’s Delovely |
Some |
|
to marry Lord Evelyn, who - although he is a very nice guy-
is her |
Anything Goes |
|
|
heart’s second choice. It’s just after the crash, and her
family has |
All Through The Night |
|
|
lost much of its fortune (while NOT losing it's standing)- |
Some chorus numbers |
|
|
maintaining the family status quo is very important to her
and |
|
|
|
critical to the ones she loves. Sweet, but with a strong
sense of |
|
|
|
morals and duty. Willing to marry to satisfy mother’s
wishes, |
|
|
|
instead of love. Good sense of humour, can be mischievous. |
|
|
|
Sparkling, ladylike individualism is good starting point set
of |
|
|
|
adjectives for Hope. |
|
|
|
|
|
|
|
|
|
|
|
Sir Evelyn Oakley - Hope's aristocratic
English fiancé. A steady, |
Lets Misbehave |
Some |
|
believable upper crust English accent a MUST. An earnest, |
Some chorus numbers |
|
|
energetic, good-natured, gullible and charming jewel of a
nerd |
|
|
|
(called so affectionately). Loves the Americans. Born
knowing |
|
|
|
who he is, therefore has the gift of being clueless to
anybody’s |
|
|
|
opinion of him. Must be capable of - and comfortable with - |
|
|
|
comedic acting, and be very willing to take directions and
do just |
|
|
|
about anything (within reason, naturally). |
|
|
|
|
|
|
|
|
|
|
|
Mrs. Harcourt - Hope's widowed mother
who, at |
No Solo Singing |
Minimal |
|
this point in time, is mainly concerned with social status
and money |
Some chorus numbers |
|
|
(snob). Although born with a silver spoon in her mouth, and |
|
|
|
accustomed to the good life of the social elite, she has -
because |
|
|
|
of the crash- learned to flow with the tide… yet has but one |
|
|
|
course in mind: She wants Hope to marry well- and by that
she |
|
|
|
means rich! It’s the only way she can see that will save her
home |
|
|
|
and her (and her daughter’s) place in society. Married well,
but |
|
|
|
not to her one true love. Must be able to span the distance |
|
|
|
between refined lady and panic-stricken comedienne to |
|
|
|
breathless receiver of renewed hope. |
|
|
|
|
|
|
|
|
|
|
|
Elisha J. Whitney - a successful Ivy
league Wall Street |
No Solo Singing |
Minimal |
|
banker/business tycoon. Extremely near-sighted and a
gloriously |
Some chorus numbers |
|
|
functional drunk. Huge personality. Used to snapping his
fingers |
|
|
|
and having the world stop to listen. Thinks he’s right, but
also |
|
|
|
capable of listening to reason and changing his mind.
Down-to earth |
|
|
|
in some ways and outlandish in others. Very loyal to his |
|
|
|
alma mater (Yale). |
|
|
|
|
|
|
|
|
|
|
|
Moonface Martin - (Public Enemy #13,
traveling [disguised] as |
Friendship |
Some |
|
reverend); Wanted by the police. Uncomplicated and loveable |
Be like the Bluebird |
|
|
gangster. Very interested in climbing up the most wanted
ladder. |
Some chorus numbers |
|
|
Wily and quick-witted, yet somehow just this side of
gullible, |
|
|
|
Moonface is loyal and willing to go the distance for a
friend. He |
|
|
|
carries a machine gun in a violin case- ready for action-
but it’s |
|
|
|
pretty obvious he’s untried in anything desperate. Strong
comedic |
|
|
|
timing required; able to move quickly. |
|
|
|
|
|
|
|
|
|
|
|
Bonnie Latour - traffic-stopping dame.
Independent, modern, |
Lets Step Out |
Yes |
|
impulsive, courageous, boundless, immoderate, and driven by |
Some chorus numbers |
|
|
whatever gratifies her at the moment. She HAS to have the
kind |
|
|
|
of physical presence that immediately causes every man
within |
|
|
|
eyesight to zing! notice her. The actress playing this part
must be |
|
|
|
extremely comfortable physically. She must be fresh and |
|
|
|
enjoyable in spite of her brazen ways, and be willing to
play broad |
|
|
|
physical comedy. Lovably clueless, “joysey” accent. |
|
|
|
|
|
|
|
|
|
|
|
ANGELS - Reno’s backup singers/dancers
for her nightclub act; |
Take me back to Manhattan |
Yes |
|
all are young; and be very comfortable with their magnetism |
Chorus Numbers |
|
|
(& physical apperance in general). |
|
|
|
The collective feel of the Angels is they charge the
atmosphere. |
|
|
|
They are good at what they do. Their names are: |
|
|
|
|
|
|
|
Chastity Taylor - wants to make enough
money as a showgirl to |
|
|
|
go to veterinary school. |
|
|
|
|
|
|
|
Charity Jackson - looking for a
millionaire. Her college degree |
|
|
|
didn’t pay as much as her legs. |
|
|
|
|
|
|
|
Purity Evans - showgirl with a heart of
gold. Secretly wants to |
|
|
|
marry her childhood sweetheart. |
|
|
|
|
|
|
|
Virtue Williams - excellent showgirl,
but charmingly and |
|
|
|
completely clueless in all other arenas. |
|
|
|
|
|
|
|
|
|
|
|
Captain - (Captain Reginald Strong) the
man in charge of the |
Chorus Numbers |
None |
|
S.S. American. Intelligent, strong, but a little too
concerned with |
|
|
|
prestige. Good comedic timing. |
|
|
|
|
|
|
|
|
|
|
|
Purser - (Lance White) reliable, alert,
and by-the-book, with an |
Chorus Numbers |
Some |
|
air of confident style. |
|
|
|
|
|
|
|
|
|
|
|
Luke - presumably reformed gambler, and
recent Christian |
None |
Some |
|
convert. Traveling with Henry T. Dobson, and his cousin
John. |
|
|
|
|
|
|
|
|
|
|
|
John - influenced by his cousin Luke,
but loyal to his conversion |
None |
Some |
|
and Dobson, John has a conscience, but an easily manipulated |
|
|
|
will; his vice had been demon rum. |
|
|
|
|
|
|
|
|
|
|
|
Reporter - (Buff Johnson) works for the
Globe American; he’s |
None |
None |
|
seen it all and reported it. |
|
|
|
|
|
|
|
|
|
|
|
Photographer - (Otto Wilson) works for
the Globe American; |
None |
None |
|
eager, ambitious and hungry |
|
|
|
|
|
|
|
|
|
|
|
Bishop Henry T. Dobson - missionary to
China; middle aged, |
None |
None |
|
certain, stoic, benevolent, if a bit self-satisfied. |
|
|
|
|
|
|